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Unwritten

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An Italian leather notebook sits empty at my bedside. A gift from a dear friend with an encouraging,  handwritten message. The sun sneaks through wooden blinds just enough to illuminate dust particles dancing over it. I run my fingers across the engraved designs on the cover that seem to speak of great things to come. I look inside, as if expecting to find something that wasn’t there before. Between each fine line there is silence, words yet to be unraveled in garlands and strokes unique to me. A lovely pen waits for the warmth of my hands, but has lost all hope.

I type to the rhythm of my random thoughts wondering why this has become my only mode of composition. Somehow I have forgotten the crossing of t’s and dotting of i’s. I have left behind the curves and arches, loops and flairs. I have left behind a piece of myself.

 

frozen river breaks

mallard writes in cursive form

freed by early thaw

 

 

 

Written for Kim’s Haibun Monday. The theme of the prose is “communication through pen or pencil and paper, followed by a traditional Haiku that includes reference to a season.” You can join in too at dVerse Poets Pub. The prompt opens at 3 p.m. EST and is open all week.

 

On Me Way to Work

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Strangest day it was

The past peepin’ roun’ corners

Portals open saysme

Or not… maybe

Do I ever close ’em

Let shadows lurketh

 

And biggest bizarrest day

Past peepin’roun corners

I n’me up

Making my head messin’

Me guessin’ whatsup

Somethin just not right

 

 

Wait! Lemme ‘splain it. It’s the most terriblest, worstest grammar ever!

That is the idea over at dVerse Poets Pub for this week’s Poetics.

 

Image credit: pixabay.com